Spring 2004, a house with a large garden welcomes filmmaker Claude Chabrol. He is about to celebrate his 54 films and 74 years of age. Thomas Chabrol, the filmmaker's son, as the perfect butler, is checking the table. "Figu", Claude's film sutler, plunges a lobster into the cauldron... The great merry-go-round can begin!

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

In this program, directed by Jean Pierre Devillers, actor Isabelle Huppert and director Claude Chabrol reflect on their special bond as collaborators and friends. It aired on French television on December 23, 1998.

Documentary about the making of French director Claude Chabrol's first film Le Beau Serge in 1958.

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Legendary French film director and Nouvelle Vague co-founder Claude Chabrol takes us back to the mid-fifties, when he and then-fellow film critic François Truffaut met and interviewed Alfred Hitchcock under hilarious circumstances. Chabrol then describes how he went on to write, with Eric Rohmer, the first book on Hitchcock, and even served as a consultant when Hitch came to Paris to direct his film TOPAZ. Several key scenes from Hitchcock movies, with a special emphasis on UNDER CAPRICORN, are discussed and dissected.

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An Na is a planner at a start-up company who has trouble with the only developer of the company. She wants to get along with the developer, but he seems to be anti-social. One day, she gets a mission from her CEO to meet "Turtle Egg" who's been messing with the ecosystem of the app they've been working on. And from "Turtle Egg", An Na learns the biggest lesson of her career.

Interviews with celebrities such as Joan Baez, Jackson Browne, Dennis Hopper and Willie Nelson examine the remarkable career of actor-performer Kris Kristofferson, who successfully bridged the gap between Hollywood and Nashville. From his mastery of the "New Nashville" sound on his 1972 album "Jesus Was a Capricorn" to his role in the 1974 film Alice Doesn't Live Here Anymore, Kristofferson has shown an agility that's hard to match.

Produced by Ireland's National Television with the assistance of Richard Ellmann, the program was shot in Joyce’s tracks in Dublin, Trieste, Zurich, Rome, London, and Paris; it draws on the reminiscences of numerous associates, friends, and relatives, and shows the role in Joyce’s development of such figures as Harriet Weaver and Sylvia Beach.